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    Beyond the Heights of Stardom: An Interview With Popstar Benny

    "Living in Atlanta is like being baptized in swag, honestly."

    “You can be indie and still do major shit.”


    Not too long ago, when the idea of being a Popstar wasn’t limited to a single genre, prosperous artists that sat at the very top of their mountains of work contained a level of charisma. That charisma was reflected in the personality of the said artist and in the style of whatever it was, they were creating. Whether that be music, physical artistic creations like paintings or photos, or even modeling—that gravitational personality that is expressed through their creative medium makes them all the more exciting to see when in person.

    A few decades in the past and you could see that pop star wasn’t just a title for a specific artist but a title used for the status of the artist. In the ‘80s they had Micahel Jackson, in 2021 we were blessed to have someone like the Weeknd—and even still, his artistry and personality favor the same styles as that of a pop star. The name didn’t go anywhere, but the requirements and the achievements have changed—drastically. But that doesn’t stop those who believe that they can reach the heights of pop stardom, it only inspires them more. Once a door is made it will be opened, and once an achievement is made it will be rightfully awarded.

    Recently, I was given the chance to speak with an upcoming pop star in the making, Popstar Benny. I’ve been a fan of Benny’s music for quite a while now; I was given the information to connect that Popstar Benny was formerly Benny Jetts, the name he was using when I originally came across his atmospheric, outer-space production sound. From one era to the next, Benny has evolved beyond whatever potential he thought he had and entered into a whole new realm of dreams and possibilities ready to be explored. In our interview, I got the chance to speak with him about the usual meat and potatoes—where he’s from, how he started, and what his dreams are. But within this interview is truly the story and feel of a pop star in the making.

    “Everything I did needed to be done with a purpose and if not, then it can wait until the purpose shows itself.”

    We had a small introductory conversation where we spoke about our days and life as a creative, we also spoke about the pandemic status of Atlanta as news had just broken that it would be officially opening up a day before we spoke. A casual icebreaker with an artist I’ve been listening to for a few years now that I truly never thought I’d speak with. As comfortable as ever, like we’d known each other for years, Benny walked me through his mind and showed just who exactly he is—not only as of the affluent producer but as the human behind that prosperous skill as well. From this walkthrough, I’ve seen with my observations the level of stardom awaiting Benny.

    Via Popstar Benny

    Who are you and where are you from?

    I’m Popstar Benny, I’m a producer, DJ, and graphic designer—I do a little bit of random side creative things but my main hustles are the three that I mentioned earlier. Those are the creatives endeavors I do that I find the most joy in so I’ve been keeping my full attention on them and just trying to incorporate each one in my daily life. I’m from Cobb County, GA, which is more or less the suburban area of Atlanta, about 20-minutes or so away from the city’s metro area. 

    “Living in Atlanta is like being baptized in swag, honestly.”

    How did you come up with the name Popstar Benny?

    I picked my first artist name in idle school: Benny Jetts—from the Elton John song “Bennie and the Jets”—and I had that name for a pretty long time. I just really like how those two names came together, but eventually, I felt I needed something new. Especially around 2017, I was feeling a little stagnant at the time. More so like I was evolving at the time, Benny Jetts was a cool name but it wasn’t just “the” name. The “popstar” mentality came from when I was playing this song “Popstar” by meltycanon a lot around that time but then the word itself just stuck with me. I started seeing it everywhere, thinking about its definition, and even studying real deal popstars. Especially the effect Michael Jackson used to have on people, like that “pass out when you see them” effect you know? And that observation is what made the name click. So after a while, I just switched the name up the new focus came with it—because now it’s something to aim for, that level of popstar popularity. Maybe one day my legacy will reach that level

    How do you personally get involved with making music?

    I was a super music fan at a very early age, to be honest with you. Back when MTV & VH1 used to play those morning blocks of all the hit songs and videos, stuff like that. Remember being real young—in like 4th or 5th grade—and getting ready for school was just different for me because it always involved good music you know? Like I’m not just getting dressed to it while it’s in the background, I’m paying attention to all the songs AND getting dressed at the same time. Really soak it in every day before school you know? 

    So I’d say maybe a year or so later I got into the Gorillaz very heavy, at that time Demon Days had just come out and it was the first time I was diving deep into music. Listening to the instruments in the backgrounds, studying the diverse sounds, and just reflecting on the music and how it’s made. Maybe another year or two later, I became a big Soulja Boy fan, and just seeing him on YouTube make his beats on his laptop just threw me over the edge. After that I was like “okay lemme see.. Fruity Loops? Yeah I need to get that ASAP!” and from there it just clicked. A little bit after that I put together Benny Jetts and the rest is history. So I would say the Gorillaz helped me understand and appreciate music, whereas Soulja Boy inspired me to make music that I liked and do my own thing with it as well.

    Growing up in Georgia—where some would say all of the current trends are arising from—

    What was it like living at the peak of Hip Hop culture from a child to an adult?

    It’s truly a blessing, I mean the whole world is watching us down here and we can see it ourselves. But to be in it is way different. It’s not a bad thing at all though, I think it’s amazing for people like me because I can just do what I do—I’m already in a place where people in my field wish to live, I wake up here every day. It’s a reminder that I have everything I need around me so I just need to do the work. The environment creates the people you know? You can even see that in people that move here from somewhere else. It always comes full circle, everything that comes out of here is crazy and everything inspired matches that exact level of astonishment. And we’ve had people from literally all over Atlanta see some type of shine, whether they’re on the street side or the alternative side they’ve seen the rewards of their work. So again it’s just motivational being here. 

    Put it simple and plain, living in Atlanta is like being baptized in swag honestly. It’s so diverse out here you don’t know what you could walk into. If you put the work in and meet the people you’re supposed to you’ll do everything you desire. That’s the only way I can look at it. 

    Galaxie! (2021) by Popstar Benny

    Do you have any idols or sources of inspiration for your career?—Any favorite artists?

    Oh, for sure I would say Kanye and Pharrell are my biggest musical inspirations by far. Just because of us growing up with them and seeing the two differences of that career; you had Kanye who wanted to go beyond the level of just making beats whereas Pharrell found comfort in that shadow-like position and ascended to a phenomenal level in his career just like Kanye did, but differently. I remember seeing Pharrell in Frontin’ and just connecting “Oh he’s not just doing the hooks on these songs, he’s making the beats too.” So acknowledging the mindset the two of them had for what they wanted is a storybook to me. And that is where I get my grand and phenomenal nature from as well. To me, they’re the blueprint—whichever way you do it, with hard work and consistency, you always come out on top. 

    You mentioned earlier that you went under a different alias for a while at the start of your career—

    How would you say yourself as an artist has evolved from that name? Were there any experiences you look back on as specific lessons?

    I think the name switch really changed my perception of myself. Like I said, pondering on the idea of a pop star for a couple of months and choosing to make that my name put my mind in the position of making that happen. And with that came serious experiences that I needed to learn from. I believe it changed the way I perceived things, but it also changed the way people perceived me too. 

    When people hear the name and the tag it sticks out way more, I mean people respected Benny Jetts but it’s different now. It’s stuck you way more than before, and that’s exactly what I want too—I’m perceived as a pop star now because I’m Popstar Benny now. Because I put myself in a more serious light people will react to that as they should. If it can be perceived that it is this way, then that’s their new reality. I’m moving with this as a career now you know? We toss that word around a bit but it’s serious, this is something I’m trying to do for the rest of my life—and the name changed showed me and every around me that. Not a lesson but a monumental moment where I feel like I had my life in my hands if that makes sense.

    Photo by Reggie

    You were one of the first people I saw with the name “hyper pop” behind their work. I wasn’t sure if it had been used before or if it was even an accurate description but—

    How would you personally describe your sound of music?

    Truthfully, I wouldn’t say I’m the one who kicked it off because I’m sure someone was going behind the genre of “hyper pop” somewhere before me, but I have been putting a lot of work into it. Only because—well everything comes full circle, to be honest with you—So in 2013, when I was making beats to the point where I was releasing my work, the music of that time was the types of beats I was trying to make. All those sounds that came out from then and afterward were perfect templates for me to work off of and find my style and sound to make. Especially because after that is when Soundcloud popped off and these more experimental, diverse HipHop sounds had a place to call home. So it is fitting that I’m defined as “hyper pop” I think it’s truly a great fit.  

    Right now I’m trying to balance between two or three sounds, but the main one that I’m releasing now definitely fits within that “hyper pop” lane. That name is funny to me because I remember being in middle school and showing another kid a beat I made. I play it and he looks over at me and says “this sounds like some Pokemon shit man.” And at the time it kind of hurt, but seeing it now is like “Yeah I get it.” I was too in the future you know? There was no space for that type of sound, but in 2021 that’s the vibe now.

    It’s interesting to me how you work within such a close, tight-knit community that you’re constantly putting out work with a plethora of artists either within or outside of your camp—

    What is it like to have a community of artists around you as often as you do? 

    Half of it is just my mentality, I don’t play any games with this anymore everything I do has serious effort behind it. In 2019 I quit my last cashier job so after that I knew I needed to make something happen. Before that, my producer work was more recreational but once I left that job I switched gears for real. It was almost like I was saying to myself “let’s get the ball rolling” you know? Everything I did needed to be done with a purpose and if not, then it can wait until the purpose shows itself. 

    When it comes to working with my friend group, I usually find myself in the A&R position. I provide the beats, and the artists will do the work they need to do. I put some people in a room together with the right energy and immaculate work comes from it. A good bit of the songs I make just come from meeting up with my friends and working with them. People I know like Tony Shhnow will be at another one of the homies’ houses working over there and I’ll just get right in formation with them. I’ll play a few things for them on the spot and next thing I know we’ve got 4 or 5 tracks out the way spontaneously. It’s motivational really, knowing that I have that ability to just see the homies and know I can get work done at the same time just makes it even more fun. We treat it like a job but we try to have the most fun with it at the same time. We do things with a purpose and enjoy ourselves in our essence, which continues the flow of motivation for us all. 

    Your tags are behind some of the best underground acts for the past few years, a plethora of names that we can go on all day about—

    How did you go about getting in contact with these artists? 

    I’d say 8 times out of 10 it’s more of an in-person type of situation. I know many people from the internet, but if we never meet in person, the likelihood of us working is slim to none. It really just happens how it happens. Early in my career I really wanted to plan out and track people down but just letting it happen naturally over the past couple of years has been the easiest that it’s ever been. I might go out to a show and see someone in the crowd who I’ve seen on Twitter or Instagram and we just meet up like that. I know the DM thing works but usually with the people I work with it kicked off in real life. I saw them, they saw me, or we already knew each other.

    What is your work process like? Is it a nonstop cycle of work or is it broken into periods?

    I would say it’s more of the latter; I find myself getting in modes where I’ll want to make 100 beats in a week, but whenever I get out that mode I’ll just chill for a week or two and not do anything—sometimes I’ll put things aside to deal with real-life situations or put my creative energy into other endeavors. I’ve been doing more of this with BEAR1BOSS where I’m working on more of the managerial things and just letting him make as much music as he wants. I’ve been making a lot of music with him so now I can step aside and focus more on the promotional side of things—the work will get done regardless. Plus, taking that break and just living a real-life is an inspiration in itself.

    Popstar Benny / Tony Shhnow

    You work in such a diverse range of sounds, what’s it like finding inspiration to delve into these newer concepts?

    The main thing is taking time to live. I’ll watch TV, play video games, or listen to music in those living periods. Lately, I’ve been studying more music so I’ve been putting playlists together and just throwing things in them I find cool to me. Things like that always help spark new ideas for sounds and things to work on for the future. Also just staying up to date on the art world as a whole. It’s very easy to disconnect now, but I like to be tuned in even when I’m just chilling.

    What’s it like being a heavyweight, underground producer in 2021?—

    Would you say it’s easier to connect to the mainstream industry, or has that pipeline changed drastically for the worst?

    It’s a very comfortable spot when you look at it. In 2019 when I was making that decision to quit my job I was also taking a hot second to look at the industry itself and where it was going. Originally, part of my procedure to figure out my musical identity, that observation allowed me to see exactly where we “underground” producers stand and just how close the mainstream really is to us. After getting a full view of things I feel a little indifferent towards it, but if you get the brainwork of it then it’s just like the ABC’s—but that brainwork doesn’t come without research. 

    The A&R’s and the labels are working off of how the current industry is set up, so if you don’t know that you’re out bad. I don’t really trip too much over the status of things like that, because I know there are always some connections to be made that will put you exactly where you need to be. Having that knowledge of moving around the underground while in the sight of the labels at the same time is what will help you swim with the sharks. So I won’t say that it’s been easier but the process has definitely changed for the better. Now if you do the work, things will come straight to you just as they’re supposed to. 

    Plus, we’re in the age where we’re all doing it ourselves. Some of us aren’t signed and are getting all of our numbers from streaming or YouTube and extra services like that. People are recording themselves, taking their own photos, shooting their own videos. It’s work to be done and now we’re learning that you don’t need a loan from the label to do this. You don’t have to sign a contract anymore, with enough dedication you can outwork a contract you know? It’s almost like the labels are keeping up a front to let us know they still work, but in reality, we know and see the truth.

    “It’s a reminder that I have everything I need around me so I just need to do the work.”

    Photo by Flwr Chyld

    Do you think you have an advantage to being in the music scene because you’re independent?

    Oh yeah 110%, and that’s the beauty of it. The infrastructure that’s forming for us artists taking the independent route just shows me nothing is stopping me from getting a placement with these certain artists—and just because I’m not signed means I can literally do whatever I want. I’m not tied down to another company or organization backing me, it’s just me and that’s all I need in some aspects of what I do. There been times where I’ve had label placements and things like that, and I didn’t see anything from it for a while because of all the extra shit that came along with it. So not being tied down to that is a 110% advantage, and I think it’s something new artists should be aware of. You can be indie and still do major shit.

    What does the future—whether near or far—for you and Popstar FM look like?

    Right now, the main goal is to find a physical location for the PopstarFM studio; really trying to settle down on a headquarters to have people to work out of. That’s really been the focus for a while now. We have a couple of people that have their own spots around town that we lock in and record at, but I know it’d be different if we were all in the same space. Then I could start experimenting with the other ventures we have in mind, but all that will fall into place once we actually find a place.

    Do you have any words of advice for those following behind you on your path to pop stardom?

    I would say keep a 110% focus on your craft at all times. Don’t forget to live your life and be inspired but always hold that craft in front of you. Keep the tunnel vision and never forget the goal because it’s what will keep you going when it gets dark. Try as hard as you can to not get distracted, just stay with the work because you honestly NEVER know when it’ll pay off in your favor. Kind of generic advice but that’s truthfully the way it is and I hope those that listen to me see exactly what I’m talking about and say “man, I’m glad I heard about that.” Stay focused, stay prepared, and stay hungry.


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